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Wednesday Dance Twixtor
Key Dance Scenes in Season 2
Here are the standout dance scenes in Season 2, and what makes each one meaningful.
- Wednesday’s “Goo Goo Muck” Flashback / Rave’N Dance Style Moment
While Season 2 doesn’t simply restage the viral Rave’N dance, there is a moment where the aesthetics and memory of that dance are referenced or echoed. The original performance in Season 1 continues to cast a shadow — fans expect something analogous but new. - Episode 6 — The K‑pop Style Scene (“Boombayah” by BLACKPINK)
In episode 6, there’s a moment where Wednesday dances to K‑pop style track “Boombayah”. She’s shown in bright colors and pastels, which is very different from her usual monochrome/goth palette. This sequence is playful, surprising, and used essentially for contrast: we see Wednesday in an environment where she is not trying to hide, and the dance is exuberant. It’s not so much a major scripted performance as a jarring yet delightful break in tone. - “The Dead Dance” — Enid and Agnes’ Gala Performance
One of Season 2’s biggest dance set‑pieces is “The Dead Dance”, the original Lady Gaga song written for the show. Performed by Enid Sinclair and Agnes at the Venetian Gala, this sequence is theatrical, artistic, and deeply tied to character. It’s a culmination of Enid stepping more into her own confidence, and Agnes transforming from someone idolizing Wednesday to becoming her own person. The performance also features visual magic (such as Agnes using invisibility powers) and choreography that nods to the eerie, ethereal tone of Nevermore Academy.
Style, Choreography, and Aesthetic Choices
Several stylistic choices stand out in these dance moments:
- Contrast in costume, color, and lighting: Wednesday’s usual dark, muted look is challenged in the K‑pop sequence; in The Dead Dance, the setting of the masked gala provides ornate costumes, masks, theatrical lighting. These contrasts heighten how distinct these dance scenes are
- Influences and references: Jenna Ortega said she was inspired by goth club culture of the 1980s, Bob Fosse, Siouxsie Sioux, etc., when choreographing or conceptualizing Wednesday’s movements. These influences show up in rigid, angular moves, isolations, shoulder work, etc. Even in The Dead Dance, there are Easter eggs and elements (like referencing Thing crawling) that call back to the Addams universe.
- Emotion through movement: Each dance gives emotional weight. The gala dance is not just performance, but part of a character arc: Enid’s growth, Agnes’s transformation. Wednesday’s more show‑stopping moments are less about joy and more about asserting identity. Wednesday Dance Twixtor Wednesday Dance Twixtor Wednesday Dance Twixtor Wednesday Dance Twixtor Wednesday Dance Twixtor Wednesday Dance Twixtor Wednesday Dance Twixtor Wednesday Dance Twixtor Wednesday Dance Twixtor
Audience & Viral Impact
The dances have also had big effects outside the show:
- The original “Goo Goo Muck” dance went viral, inspiring TikTok recreations, spikes in streaming songs used, etc.
- Fans speculated that Season 2 would try to replicate that viral success — and part of what the creators did was to promise they wouldn’t simply copy it, but deliver something fresh.
- The Dead Dance was developed in secrecy, with a placeholder track until the Gaga song could be used, to preserve surprise.
What Makes These Dances Work
From my view, here’s why the dance moments in Season 2 succeed:
- Element of surprise: When you expect Wednesday to be severe and still, suddenly she does something expressive, often in contrast to her environment. That shock is part of the appeal.
- Character consistency: Even when she dances, Wednesday remains herself — her facial expressions, posture, the tone are still “Wednesday.” She doesn’t become someone else; she just allows some movement. That preserves authenticity.
- Narrative embedding: The dances aren’t just fun interludes. They tie into plot or emotional arcs (e.g. Enid & Agnes, or Wednesday processing something internally). They serve the story.
- Visual & musical match: The choreography, costuming, music all sync to create a tone that feels cohesive with Wednesday’s gothic, surreal, and sometimes absurd world.
